Archives

2010 – ‘The A-Z Recordings’ Review  –  By Michael Dwyer for The Age

September 28, 2023 4:17 am Published by Comments Off on 2010 – ‘The A-Z Recordings’ Review  –  By Michael Dwyer for The Age

By Michael Dwyer, The Age THIS eight-CD box, recorded live over six years, solo or with spare accompaniment by Dan Kelly and occasionally Sian Prior, is a wonder of many layers. The first is the genius of its conception. Here, 105 alphabetically selected titles spanning decades are equals, liberated from currency, popularity and other fleeting concerns that would deem one more viable than another on any other setlist or compilation. The second is how consistently compelling that are. Old or... View Article

2008 – Paul Kelly’s Second Best-of Cements His Reputation  –  By Noel Mengel for The Courier Mail

September 28, 2023 4:05 am Published by Comments Off on 2008 – Paul Kelly’s Second Best-of Cements His Reputation  –  By Noel Mengel for The Courier Mail

The Courier-Mail Article by Noel Mengel ABOUT half-way through Volume 2, when one of the most heartbreaking songs of regret you could ever hear (If I Could Start Today Again) meets a sweetly sighing pop song (The Oldest Story In The Book), and then a feel-good rocker (Won’t You Come Around), and then a 1960s surf-rock instrumental (Gunnamatta) . . . Then it hits home what we have here. A best-of Volume 2 that’s just as rich and profound, and... View Article

2007 – ‘Stolen Apples’ Review  –  By Jeff Apter

September 28, 2023 3:54 am Published by Comments Off on 2007 – ‘Stolen Apples’ Review  –  By Jeff Apter

By Jeff Apter Paul Kelly obviously likes the look of the road less travelled. Who else would consider fusing the poetry of lower-case American ee cummings with an earthy, rootsy rock growl rarely heard this side of Sun Studios, circa 1955, or writing a post 9/11 meditation from a terrorist’s viewpoint? But it’s just another day in the office for the legendary Oz singer / strummer, the voice behind such homegrown classics as ‘Before Too Long’, ‘To Her Door’, ‘Dumb... View Article

2005 – ‘Foggy Highway’ Editorial – By Martin Jones

September 28, 2023 3:47 am Published by Comments Off on 2005 – ‘Foggy Highway’ Editorial – By Martin Jones

Press Release, May 2005 Six years after recording his first Bluegrass album, Smoke, with Melbourne-based Uncle Bill, Paul Kelly has returned to the genre. This time round, instead of using a ready-made band, he chose his pickers from Australia’s finest – Ian Simpson (banjo) from the West, Trevor Warner (mandolin) from Adelaide and Mick Albeck (violin), James Gillard (bass) and Rod McCormack, the guitar-playing co-producer, all from New South Wales – then gathered at Rod’s studio in Terrigal on the... View Article

2004 – ‘Ways and Means’ Review – By Bleddyn Butcher

September 28, 2023 3:45 am Published by Comments Off on 2004 – ‘Ways and Means’ Review – By Bleddyn Butcher

Some of us who should know better pronounce “love songs” with a silent “silly” – as if there were a higher kind. Paul Kelly’s new collection, Ways and Means, containing nineteen unruly examples of the species (plus two breezy instrumentals), shows the prejudice for what it is. The album, Paul’s ninth collection of new songs since Post in 1985, takes a single subject, Love and its Many Splendours, and finds abundance: a gushing fountainhead of ruthless tunes, limpet riffs and... View Article

2004 – ‘GUNNAMATTA’

September 28, 2023 3:45 am Published by Comments Off on 2004 – ‘GUNNAMATTA’

“Gunnamatta” is the latest feel-good-summer song from Paul Kelly’s most recent album ‘Ways and Means’ that has been serviced to radio. The accompanying clip is a fitting tribute to old surf movies and, of course, Gunnamatta, which is a place very close to Paul Kelly’s heart. Renowned surf movie director Jack McCoy was the obvious choice to work on this project. “When I was first approached about The Boon Companions song “Gunnamatta” and the music clip, I wasn’t quite sure... View Article

2003 – Sand Pebbles Interview – By Christopher Hollow

September 28, 2023 3:43 am Published by Comments Off on 2003 – Sand Pebbles Interview – By Christopher Hollow

Paul Kelly is Australia’s pop poet laureate. Over the past two decades he’s had a string of literate pop hits that have combined strong storytelling with melodic, folk driven hooks. A short time ago Kelly released his first LP in three years. Ways & Means is an epic double album with 21 tracks spread over two discs full of Aboriginal myths, angels, summer songs, ménage a trois, and love refrains to red haired girls. The highlights include the hard driving... View Article

2002 – ‘Deeper Water’ Review  –  By Geoffrey Himes for No Depression Magazine

September 28, 2023 3:38 am Published by Comments Off on 2002 – ‘Deeper Water’ Review  –  By Geoffrey Himes for No Depression Magazine

By Geoffrey Himes Paul Kelly’s “Deeper Water” begins with a folkish, nostalgic arpeggio on an electric guitar, setting up a vocal that evokes a childhood memory of being carried in his father’s arms above the crashing waves of the Indian Ocean. To this point, as the verse gives way to the hymn-like chorus, “Deeper water, deeper water, calling him on,” the song has the well crafted, country-folk feel of a John Hiatt family number. But then it falls apart. The... View Article

1998 – Under the Sun in Kelly Country – By Vin Maskell

September 28, 2023 3:35 am Published by Comments Off on 1998 – Under the Sun in Kelly Country – By Vin Maskell

For classic depictions of the Australian summer, you can’t beat the songs of Paul Kelly By Vin Maskell HERE are many great images of the Australian summer. Call them cliches or call them icons, they are images that have become part of the national consciousness. Max Dupain’s photographs of swimmers at Newport and Bondi beaches are etched in our memories, coming to life every time we go to the beach. The best known is his 1937 photograph, Sunbaker. Russell Drysdale’s... View Article

2013 – BMA Magazine – Live review: Royal Theatre, Canberra

September 28, 2023 1:44 am Published by Comments Off on 2013 – BMA Magazine – Live review: Royal Theatre, Canberra

BMA Magazine, review by Glen Martin Royal Theatre, Canberra, Sunday February 24 We attend shows like these to be part of communal sing-along, to hear songs already implanted into our heads rendered again, if not anew. It¹s not the cutting edge of live performance. It¹s a comfort blanket. Or this was what I expected. Instead, Neil Finn and Paul Kelly executed a masterclass in material and its interpretation. This was a surprisingly thrilling show. Neither man is the type to... View Article